No.
|
Judul
|
Kode
|
1
|
Manifesting Archetypal Energy through Music
|
T-MUS-1
|
2
|
Rancangan Terapi Musik Angklung untuk Menurunkan Penghayatan Perasaan Kesepian
(Loneliness) Lansia
|
T-MUS-2
|
3
|
The Historical Figures of the Birthday Cantatas of Johann Sebastian
Bach
|
T-MUS-3
|
4
|
Embodiment in Electronic Music Performance
|
T-MUS-4
|
5
|
playing the
Precuneus: Music Therapy After Acquired Brain Injury
|
T-MUS-5
|
6
|
Automatic Genre
Classification of MIDI Recordings
|
T-MUS-6
|
7
|
Twentieth-Century Music for the Oboe
|
T-MUS-7
|
8
|
Developing A New Way to
Transfer Sheet Music via the Internet
|
T-MUS-8
|
9
|
Creating Style and Extending
Boundaries: An Analysis of Three Women in Rock
|
T-MUS-9
|
10
|
Hybrid Convolution and Filterbank Artificial Reverberation Algorithm Using
Statistical Analysis and Synthesis
|
T-MUS-10
|
11
|
A Survey of Music Therapy Business Owners
|
T-MUS-11
|
12
|
Instrumental Music Instruction, Assessment, and the Block Schedule
|
T-MUS-12
|
13
|
The Effects of Using Musical Songs as A Supplement to A Traditional
Life Science Curriculum
|
T-MUS-13
|
14
|
Computer Music Research Portfolio: Music Cognition and Machine
Learning Music
|
T-MUS-14
|
15
|
Making A Case for Sharing: An Analysis of Music Copyright, New
Technologies, and How
Creative Commons
and Netlabels Are Facilitating A Free Music Culture on the Web
|
T-MUS-15
|
16
|
Surround Sound Recording: Is
It Worth It?
|
T-MUS-16
|
17
|
Microtonality as An Expressive Device: An Approach for the Contemporary
Saxophonist
|
T-MUS-17
|
18
|
Selected Research in Computer Music
|
T-MUS-18
|
19
|
Sheet Music Unbound A fluid approach to sheet music display and
annotation on a multi-touch screen
|
T-MUS-19
|
20
|
What is Comprovisation?
|
T-MUS-20
|
21
|
Membongkar Mitos Musik Pop Religi dalam Mitologi Budaya Massa Islam di Indonesia:
Semiotika Sampul Album Pop Religi Ungu
|
T-MUS-21
|
22
|
Donald Grantham’s Symphony for Winds and Percussion:
A Description of Compositional Techniques
|
T-MUS-22
|
23
|
Who is Listening? Human and
Computer Influence in Interactive Music Systems
|
T-MUS-23
|
24
|
Chroma-Based Predominant
Melody and Bass Line Extraction from Music
Audio Signals
|
T-MUS-24
|
25
|
Beyond Point A, or Game Environments as Psycho-Symbolic Allegory
|
T-MUS-25
|
26
|
The Origins of David Liebman’s Approach to Jazz Improvisation
|
T-MUS-26
|
27
|
Immersive Instruments and Breathing
Systems
|
T-MUS-27
|
28
|
Voice Transformations for Extreme Vocal E_ects
|
T-MUS-28
|
29
|
Elvin Jones: Defining His
Essential Contributions to Jazz
|
T-MUS-29
|
30
|
An Improvement to Anthropometry-Based Head and Torso HRTF Synthesis
Models for Locations Near the Frontal Median Plane
|
T-MUS-30
|
Judul Tesis Musik:
