No.
|
Judul
|
Kode
|
1
|
Through The Lens Of Freemasonry: The
Influence Of Ancient Esoteric Thought On Beethoven’s Late Works
|
D-MUS-1
|
2
|
Music and Entertainment in Post-Soviet Kazakhstan: Ideology and Legacy
|
D-MUS-2
|
3
|
Abstract of Musical Arts Project
|
D-MUS-3
|
4
|
Led Zeppelin and Carlo
Domeniconi: Truth without Authenticity?
|
D-MUS-4
|
5
|
Suitably Underspecified: Systematic Notations and the Relations between
Paper and Music
|
D-MUS-5
|
6
|
The Effect of Time-Variant Acoustical
Properties on Orchestral Instrument Timbres
|
D-MUS-6
|
7
|
27’10.554” by John Cage and The King of Denmark by Morton Feldman and Their Influence Upon
Thomas DeLio’s as though
|
D-MUS-7
|
8
|
George Enescu:
His Pianism And Solo Piano Works
|
D-MUS-8
|
9
|
An Exploration of Potential Factors Affecting Persistence to Degree
Completion in Undergraduate Music Teacher Education Students
|
D-MUS-9
|
10
|
Claiming Space Discourses on Gender, Popular Music, and Social Change
|
D-MUS-10
|
11
|
A Field of Possibilities
Designing and Playing Digital Musical Instruments
|
D-MUS-11
|
12
|
Think’st Thou to Seduce Me Then?” Impersonating Female Personas in Songs byThomas
Campion (1567–1620)
|
D-MUS-12
|
13
|
The Effect of Single-Session Psychoeducational Music Therapy on
Response Frequency and Type, Satisfaction with Life, Knowledge of Illness,
and Treatment Perceptions in
Psychiatric Patients
|
D-MUS-13
|
14
|
Music & Language
Interrelations towards An Evolutionary, Semiotic and Compositional
Perspective
|
D-MUS-14
|
15
|
Lennie and Ornette Searching
for Freedom in Improvisation Observations on the Music of Lennie
Tristano and Ornette Coleman
|
D-MUS-15
|
16
|
An Open Design for
Computer-Aided Algorithmic Music Composition: athenaCL
|
D-MUS-16
|
17
|
A Unified Theory of Chord Quality in Equal Temperaments
|
D-MUS-17
|
18
|
Digital Light Field
Photography
|
D-MUS-18
|
19
|
Much More than Ragtime: The Musical Life of George Hamilton Green (1893-1970)
|
D-MUS-19
|
20
|
Alberto Ginastera's Use of Argentine Folk Elements in the Sonata for Guitar,
OP. 47
|
D-MUS-20
|
21
|
Anchors and Hubs in
Audio-Based Music Similarity
|
D-MUS-21
|
22
|
Pieces of Music: the Ontology of Classical, Rock, and Jazz Music
|
D-MUS-22
|
Judul Disertasi Musik [D-MUS]:
